Art Project Grant
Art Project Grant
CJM 2020 concert of healing and atonement, recognizing 100 years since the Duluth lynching tragedy.
Tara Makinen: Executive Director of Itasca Orchestra and Strings, musician; Amber Burns: choreographer, dancer, actor, middle school art teacher; Tammy Mattonen: visual artists, co-founder of Crescendo Youth Orchestra; Kayla Aubid: Native American craft artist, writer, employee at MacRostie Art Center; Ariana Daniel: mixed media artist, arts instructor; Kathy Neff: musician, Director, Fine Arts Academy at the University of Minnesota-Duluth; Ron Piercy: jeweler, gallery owner; Emily Swanson: arts administrator at Oldenburg Arts and Cultural Community.
Tara Makinen: Executive Director of Itasca Orchestra and Strings, musician; Tammy Mattonen: visual artists, co-founder of Crescendo Youth Orchestra; Kathy Neff: musician, Director, Fine Arts Academy at the University of Minnesota-Duluth; Ron Piercy: jeweler, gallery owner
ACHF Arts Access
CJMM, Inc.'s 2020 Planning Committee and Programming Subcommittee are developing a year-long calendar of community events culminating with the June 15, 2020 rally at the Memorial. The March eight concert seeks to launch the last 100 days leading to the 100th anniversary of the lynching with an event that opens hearts and minds. It is said 10,000 people filled the streets of downtown Duluth that night of 1920. We want to fill the streets in 2020 with 10,000 people of conscience and good will. Measurable outcomes of the concert project are: ? A full orchestra, double chorus, professional soloists, and excellent artistic directors are engaged. ? The concert attracts media attention and coverage in Duluth and beyond. ? The concert attracts strong attendance (75%-100% capacity of Mitchell Auditorium). ? fifteen people or 1% of audience members participate in follow-up discussion. ? Performers report new friendships or lasting personal impact. ? CJMM produces a project documentary. Assessment measures include ? Successful production of concert and documentary ? Count and caliber of singers and instrumentalists participating ? Count of attendance and performance tickets reserved ? Count of audience members participating in follow-up discussion ? Number of in-kind donors engaged ? Number of surveys returned from participants offering feedback and reporting personal impact ? Amount of designated donations and grant funding raised to pay project expenses ? Number and quality of broadcast, print, online, and social media stories generated ? we will download and retain record of as many as possible. ? Hours of raw video filmed and available for editing into documentary about the project (outside the scope of this grant application).
The project addressed its artistic goals by securing excellent conductors, commissioning a proven composer, programming works by African American composer William Grant Still, and recruiting an orchestra and chorus representing 23 musical organizations. We worked closely with indispensable partners, including the College of St. Scholastica and Duluth Superior Symphony Orchestra, and garnered wide media coverage. The March 8, 2020 performance capped a week of intense rehearsal in close quarters. Mr. Perrault conducted the orchestra in Grant Still's ?Symphony No. 2 in G minor: Song of a New Race.? Mr. Aerie conducted the orchestra, chorus (prepared by Sr. Johnston), and contralto soloist Diona Johnson in Grant Still's oratorio, "And They Lynched Him on a Tree.? Post-intermission, Mr. Perrault introduced his new work, ?We Three Kings,? with remarks before its world premiere by the Gichigami Piano Trio. The 82 musicians left the audience in tears. The project achieved its immediate goals.
Other,local or private