Art Project
Art Project
Sweet Land, the musical
John White: writer, photographer, retired journalist; Georgette Jones: literature teacher, theatre actor/director/teacher; Marilee Strom: musician, former art teacher, business owner; Kathy Fransen: musician, theatre, Rhythm of the River coordinator; Janet Olney: visual artist, Willmar Area Arts Council coordinator; Joyce Meyer: photographer, retired art teacher, Canby Arts Council; Pam Blake: retired art teacher, visual arts, Tyler Arts Council, Southwest Minnesota Weaver's Guild; Michele Knife Sterner: theatre actor, Southwestern Minnesota State University Associate Director for Access Opportunity Success program; Tom Wirt: artist, owner of Clay Coyote Gallery, Hutchinson Center for the Arts, past member of Hutchinson Public Arts Commission; Joyce Aakre: visual arts, writing, Discover Dassel committee, Board member for Litchfield Community Education, Exhibit committee for Dassel Area Historical Society; Kelly Muldoon: graphic artist, Prairie Music Association, Prairie Oasis Players; Dan Wahl: writer, visual artist, director, adjunct English instructor at Southwest Minnesota State University; Anne O'Keefe-Jackson: human resources director, bead and quill work; Cindy Reverts: visual artist, Rock County Fine Arts Association treasurer, Council for Arts in Humanities in Rock County; Brett Lehman: Worthington International Festival, Worthington City Band, Worthington Concert Association; Reggie Gorter: vocalist, theatre, voice and dance teacher; Dana Johnson: producer/filmmaker; Claire Swanson: visual arts, arts teacher, Meander Art Crawl Committee.
Joyce Aakre: visual arts, writing, Southwest Minnesota Arts Council Board; Ron Porep: Arts administration; Ruth Ascher: arts administration; Sheila Tabaka: Theatre; Cheryl Avenel-Navara: Arts appreciator; John Voit: Music, theatre; Joyce Meyer: visual arts, Southwest Minnesota Arts Council Board; Tom Wirt: visual arts, Southwest Minnesota Arts Council Board.
ACHF Arts Access
In addition to the informal feedback that we receive in the lobby at intermission and after the show, we received an ample number of audience’s surveys. This production served as an excellent example of how Dawson Boyd Arts Association can collaborate with an arts organization like the History Theatre to present new works to rural Minnesota. This project also showed Dawson Boyd Arts Association the value of community collaborations to increase audience size and to deepen the audience's experience. The success of the talkback following the show reinforced the need to provide that opportunity when possible.
Other, local or private