Art Project
Art Project
2019 Concert Series.
John White: writer, photographer, retired journalist; Georgette Jones: literature teacher, theatre actor, director, teacher; Anna Johanssen: fiber artist, art teacher, Remick Gallery board, president of Windom Women’s Investment group, treasurer of Cottonwood County Animal Rescue, officer of Cotton Quilters; Kristen Kuipers: musician, private lesson and K-12 classroom music instructor, theater, writing, volunteer with Jackson Center for the Arts; Janet Olney: visual artist, Willmar Area Arts Council coordinator; Joyce Meyer: photographer, retired art teacher, Canby Arts Council; Michele Knife Sterner: theater actor, Southwest Minnesota State University Associate director for Access Opportunity Success program; Lisa Hill: musician, Crow River Singers, attorney; Joyce Aakre: visual arts, writing, Discover Dassel committee, Board member for Litchfield Community Education, Exhibit committee for Dassel Area Historical Society; Emily Petersen: visual artist, art teacher; David KelseyBassett: visual artist, musician; Anne O’Keefe-Jackson: human resources director, bead and quill work; Scott Wessels: theater actor, director, writing, media, communications, board member for Green Earth Players; Brett Lehman: musician, social worker, Worthington City Band, Worthington Concert Association; Erica Volkir: performing arts, Director of Pipestone Area Chamber of Commerce and CVB; Claire Swanson: visual arts, arts teacher, Meander Art Crawl Committee.
Anne Dybsetter: visual art, writing; John Ginocchio: music, education; Brett Lehman: musician, social worker, Worthington City Band, Worthington Concert Association, Southwest Minnesota Arts Council Board; Jane Nygaard: arts advocate; Michele Knife Sterner: theater actor, Southwest Minnesota State University associate director for Access Opportunity Success program, Southwest Minnesota Arts Council Board; Tom Wirt: visual art.
Southwest Minnesota Arts Council, Nicole DeBoer (507) 537-1471
ACHF Arts Access ACHF Arts Education
1. Continue to improve in quality. 2. In order for quality to be improved, the chorale must maintain its excellent level of attendance of by individual members. 3. Involve people of different ages. With young people as soloists, we expect that their parents and siblings would attend the concert. Attendance levels are easily quantifiable, since we keep an attendance sheet for every rehearsal. At our concerts we will use an audience survey which will tell us the ages of concert attendees.
Our attendance percentages remained about the same: 70% had perfect attendance. That is commendable since we had even more members who travel from a distance of twenty miles or more. The survey results showed that people are enthusiastic about our repertoire. It also illustrated that increasingly, people are willing to travel in order to hear our concerts.
Other,local or private