Art Project
Art Project
MACTFest 2019 "The Glamour House".
John White: writer, photographer, retired journalist; Georgette Jones: literature teacher, theatre actor/director/teacher; Marilee Strom: musician, former art teacher, business owner; Kathy Fransen: musician, theatre, Rhythm of the River coordinator; Janet Olney: visual artist, Willmar Area Arts Council coordinator; Joyce Meyer: photographer, retired art teacher, Canby Arts Council; Pam Blake: retired art educator, visual artist, Tyler Arts Council, Lincoln County Art Fair, Southwest Minnesota Weaver’s Guild; Michele Knife Sterner: theatre actor, SMSU Associate director for Access Opportunity Success program; Lisa Hill: musician, Crow River Singers, attorney; Joyce Aakre: visual arts, writing, Discover Dassel committee, Board member for Litchfield Community Education, Exhibit committee for Dassel Area Historical Society; Emily Petersen: visual artist, art teacher; David KelseyBassett: visual artist, musician; Anne O’Keefe-Jackson: human resources director, bead and quill work; Cindy Reverts: visual artist, Rock County Fine Arts Association treasurer, Council for Arts in Humanities in Rock County; Brett Lehman: Worthington International Festival, Worthington City Band, Worthington Concert Association; Erica Volkir: performing arts, Director of Pipestone Area Chamber of Commerce and CVB; Claire Swanson: visual arts, arts teacher, Meander Art Crawl Committee.
Mark Bosveld: theater, dance; Cheri Buzzeo: theater; Mary Gillespie: art administration; Maureen Keimig: theater; Kaia Nowatzki: visual art, theater, music; Eric Parrish: music, theater; Lisa Hill: music; Erica Volkir: performing arts.
Southwest Minnesota Arts Council, Nicole DeBoer (507) 537-1471
ACHF Arts Access
1) The goal of the Calumet Players is to present a 50-minute performance for adjudication at MACTFest 2019 and potentially move onto the regional festival, AACTFest. We believe that with adequate rehearsal time, access to dialect training, the successful organization for the festival, and the commitment of the cast and crew, we will accomplish the goal we set for our organization. 2) The Calumet Players will be hosting a performance preview of "The Glamour House" for the community. It is our goal to challenge our audience's beliefs and receive valuable feedback by holding a Q and A session after the performance. We hope to take this feedback and apply it to make it a more competitive piece at MACTFest. 3) Another goal is to challenge our performers artistically and help them grow as an artist. We hope that the actors are more comfortable performing a drama as a result of this experience. The goal is to have the artists learn, not only from their performance and adjudications, but from other performances and adjudications. 1) The evidence of our accomplishment will be whether the Calumet Players can successfully perform in accordance with the strict parameters of the MACTFest rules and regulations. The goal will be met if participants receive recognition for their performance or dialects. 2) The Calumet Players will distribute surveys to the audience at the performance preview. We will achieve our goal assessing the audience's impressions through these surveys which allows us to consider this feedback in our MACTFest performance. 3) The Calumet Players will distribute surveys to the performers at the conclusion of the festival. These surveys will measure how the artists have grown, including: increased familiarity with performing a drama, competing at a festival, learning new dialects, and reflecting on adjudications.
The audience survey revealed that certain characters needed to strengthen their dialect. Younger actors needed to work on character development portraying the emotions of what it meant to live a life after World War II. The artists were pushed because the script was very difficult to perform due to the nature of the writing and accents. Having to perform the piece, within the confines of the festival rules, made them conscious of their set pieces, script cutting and tempo choices. The actors took away, not only from their performance, but from hearing the adjudications of others as well.
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