Arts Activities Support
Arts Activities Support
Funding for Ana Min Honaak (I am From There), a theatrical production dramatizing the stories of Arab Americans who have immigrated to the Twin Cities, and developed through a process of interviews and workshops. Culminating performances will take place i
Julie Andersen: Eagan Art House Executive Director; Jill Anfang: Roseville Parks and Recreation Program Director; Bethany Brunsell: Music Teacher and Performer; Shelly Chamberlain: Minnesota Council of Nonprofits Operations Director; Marisol Chiclana-Ayla: Artist, Board Chair of El Arco Iris; Anthony Galloway: Actor, storyteller, West Metro Education Program; Jamil Jude: Theatre artist; Tricia Khutoretsky: Public Functionary Curator and Co-Director; Peter Leggett: Walker West Music Academy Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Director of External Relations; Tom Moffatt: Silverwood Park Supervisor; Kathy Mouacheupao: Twin Cities Local Initiatives Support Corporation Cultural Corridor Coordinator; Adam Napoli-Rangel: Artist; Heather Rutledge: ArtReach Saint Croix Executive Director; Andrea Sjogren: Hopkins Public Schools Youth Programs Coordinator; Dameun Strange: Composer and Performer; Melissa Wright: Twin Cities Public Television.
Alia Jeraj: Youth programming, artistic education; Susan Rotilie: Education, artistic, volunteerism; Shelia McComb: Computer systems, finance, education; Eric Bruce: General management, audience development, volunteerism; Lacey Prpic Hedtke: Artistic, general management, fundraising; Roxane Wallace-Patterson: Artistic; Patty Gordon: Artistic, computer systems, education; Rebecca Cline: Fundraising, audience development, Community Education; Tom Borrup: Community Education, organizational development, general management.
ACHF Arts Access
Achieved artistic and audience goals. Saw representation of audience members identifying as Lebanese, Somali, Other Arab, European Americans, Latinx, South Asian, East Asian, African American, and Caribbean. We were very happy with the artistic outcome of our project. We wrote plays that delved deep into issues of "I Come from There" in terms of immigration, home, exile, and community. We worked with local community members to cull stories and present stories on stage. The actors came from our communities and many acted for the first time in their own stories. The audiences were representative of our communities and we had heartfelt conversations with them. It was an amazing experience artistically for all involved. We were so happy with the outcome. What didn't work: There was not a lot that didn't work, actually. I guess the only feedback would be that everyone wanted more in every way. More time to explore together, more performances, more connections and community. The experience was fantastic. I don't know that I would do much different if had the opportunity to do it again - maybe run the plays for two weekends and hire a stage manager. The only difference in the expected community and the actual community was the participation of Somali Americans as audience members. We did not predict so many Somalis would come to our show and participate in our audience. That was a great surprise. Also the Lebanese community, who almost never shows up for arts events came out in full force. The reason for both of these welcome surprises is that we involved members of both communities in the process of research and presentation, and we did some targeted outreach. It was a great surprise.
Other, local or private