Operating Support
ACHF Arts Access
Create and present flamenco performances of the highest artistic quality that reach a broad public. Premiere a new full-length flamenco work by Susana di Palma (Diary of a Mad Woman, based on poetry by Gabriella Mistral) at the Cowles Center in Minneapolis, and present a Café Flamenco concert for the public at the Southern or Ritz Theater. Evaluation included box office records, reviews and media attention, feedback from audiences, students and presenters. With Locas Mujeres y Mas box office receipts showed that we reached over 1,200 audience members. We garnered favorable attention in the local media. We received a glowing preview piece from Lightsey Darst on MNArtists.org, as well as notices by Linda Shapiro and Sheila Regan in City Pages, and two articles in the local Spanish-language press. Headcounts from the other performances showed that we reached an additional 500 youth and 3,500 adults this year. All the organizations who booked us were happy with our performances, and several performances encouraged new students to join our dance classes. 2: Serve at least 7,000 youth and adults through performances and outreach programming. Provide opportunities for people across Minnesota to engage with flamenco dance and artists in multiple ways that are fun and easily accessible, regardless of age, ethnicity, or income level. Provide quality instruction in flamenco dance and music for youth and adults through the Zorongo School and through workshops with guest artists. Bring flamenco performances and workshops to two-four Minnesota communities; conduct five-ten outreach concerts in the Twin Cities area; conduct outreach for youth in the Twin Cities and on tour through performances of a special children’s flamenco program, Toro; and provide two free open houses for the public to explore flamenco. Zorongo kept accurate records of all activities provided and numbers of individuals who attended/participated. 1) Locas Mujeres y Mas concert: 912, mostly adults, about 10% Hispanic heritage, mixed genders, many income levels, performed at an ADA-accessible venue. 2) Locas Mujeres y Mas student matinee: 470, students and teachers, about 15% of Hispanic heritage, many from Spanish-immersion programs. 3) School: About 40% of students are either from a Hispanic background or are first generation immigrants. Full and partial scholarships are provided for about ten low-income students, both children and adults. 4) Other performances: About 10% Hispanic heritage, mostly adults, many income levels, performed exclusively at ADA-accessible venues.
We premiered a new work by Susana di Palma, Locas Mujeres y Mas/Madwomen and More, at The Cowles Center, March 8-10, 2013. We performed for a large audience of children and parents at the Mankato International Festival in April, 2013, at Augsburg College in October, 2012, for the National Society of Hispanic MBAs in December, 2012, at the Minneapolis Federal Reserve in October, 2012, at the grand opening of Flamenco Coffee's new coffee shop in Northeast Minneapolis in May 2013, at Casa de Espana en Minnesota's annual Feria event in May, 2013, and at several private parties throughout the year. 2: We provided opportunities for people to engage with flamenco dance and artists in multiple ways that are fun and easily accessible regardless of age, ethnicity, or income level. We served over 100 students, age five and up, in the Zorongo School, including some classes taught in Spanish. We provided workshops with internationally renowned guest musicians and dancers who performed in our concert. We provided two free open houses for the public to explore flamenco. Over fifty audience members stayed for a post-concert talkback. A student matinee played to 470, with over 100 coming up on stage to practice flamenco steps they had just learned.
Other
local or private