Operating Support
Operating Support
Our mission is to sustain a world-class chamber orchestra at the highest standards of artistic excellence that enriches the Twin Cities community by sharing dynamic, distinctive and engaging performances.
Carol Bruess: author, speaker, relationship social scientist, and creator; Uri Camarena: business consultant; Michael Charron: arts educator, arts and civic leader; Richard Cohen: attorney in private practice, former state legislator; Emily Galusha: arts and civic leader, former arts administrator; Anthony Gardner, healthcare consultant; Ken Martin: political strategist, campaign manager; Philip McKenzie: adjunct college faculty; Michele Sterner: higher education administrator; Dobson West: retired attorney; Christina Woods: executive director, arts organization
Carol Bruess: author, speaker, relationship social scientist, and creator; Uri Camarena: business consultant; Michael Charron: arts educator, arts and civic leader; Richard Cohen: attorney in private practice, former state legislator; Emily Galusha: arts and civic leader, former arts administrator; Anthony Gardner, healthcare consultant; Ken Martin: political strategist, campaign manager; Philip McKenzie: adjunct college faculty; Michele Sterner: higher education administrator; Dobson West: retired attorney; Christina Woods: executive director, arts organization
ACHF Arts Access
Minnesotans will gain wide access and flexible options to enjoy quality performances via an array of in-person and free digital concert experiences. Staff and Board will track in-person attendance metrics, number of performances and venues performed at, number of unique Concert Library website visits from Minnesotans and number of performances livestreamed and added for on-demand viewing. 2: Welcome, represent and honor our community's diversity with attention to racial, ethnic and gender diversity of programming and performers on stage. Staff and Board will track (1) the percentage of concerts that featured composers of color and/or women and (2) the percentage of concerts that feature performers identifying as a person of color and/or underrepresented in American orchestras.
Other, local or private