Operating Support
Operating Support
Ashland is a youth centered, multigenerational theater company that fosters self-esteem and a sense of belonging. Through a culture of welcoming acceptance, Ashland's unique process creates exceptional performances enjoyed by the many communities we serve.
Carol Bruess: author, speaker, relationship social scientist, and creator; Uri Camarena: business consultant; Michael Charron: arts educator, arts and civic leader; Richard Cohen: attorney in private practice, former state legislator; Emily Galusha: arts and civic leader, former arts administrator; Anthony Gardner, healthcare consultant; Ken Martin: political strategist, campaign manager; Philip McKenzie: adjunct college faculty; Michele Sterner: higher education administrator; Dobson West: retired attorney; Christina Woods: executive director, arts organization
Carol Bruess: author, speaker, relationship social scientist, and creator; Uri Camarena: business consultant; Michael Charron: arts educator, arts and civic leader; Richard Cohen: attorney in private practice, former state legislator; Emily Galusha: arts and civic leader, former arts administrator; Anthony Gardner, healthcare consultant; Ken Martin: political strategist, campaign manager; Philip McKenzie: adjunct college faculty; Michele Sterner: higher education administrator; Dobson West: retired attorney; Christina Woods: executive director, arts organization
ACHF Arts Access
Ashland will foster youth development (performance, self-confidence) through excellent musical theater productions and educational opportunities. Outcome will be evaluated through anonymous surveys of participants and parents, in addition to anecdotal evidence, observation and team meeting feedback. Quantitative data will measure the degree of impact throughout the rehearsal process. 2: Ashland will continue expanding our community outreach to reach new participants and patrons. Outcome will be evaluated through ongoing quantitative analysis of participants and audience members demographic data from program registration, ticket sales, and anonymous surveys; with qualitative feedback from participants, families and patrons.
Other, local or private