Flexible Support
Flexible Support
Folk Will Save Us Presents: The Longfellow Village Band
Amanda Cortes: Artspace and Springboard for the Arts; Adrienne Doyle: Juxtaposition Arts Tactical Lead and Development Associate; Alejandra Iannone: Interdisciplinary Artist and Sparkle Theatricals Creative Creative Director; Ryan-Olivia McCoy: Black Label Movement and Shapeshift dancer; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Sara Wilson: Lommen Abdo P.A. Attorney; Kate Walker: Valley Chamber Chorale Singer; Lauren White: Juxtaposition Arts; Ross Anderson: Praxis Photo Center; Gretchen Burau: American Museum of Asmat Art; Kathryn Mattson: arts supporter; Chavonn Williams Shen: Minnesota Prison Writing Workshop; Ronald Salazar: Birch Grove Elementary School for the Arts
Claire Chenoweth, Artistic, Education, General Management/ Administration/ Support; Judy Cooper Lyle, Artistic, Fundraising, Education; Michael Perez, Artistic, General Management/ Administration/ Support, Marketing/Audience Development; Nicole Conti, Accessibility/Disability Access, Education, General Management/ Administration/ Support; Vie Boheme, Artistic; Xianping He, Fundraising, Disabilities Specialist, Youth Programming;
ACHF Arts Access
A reduction in geographic, cultural and/or physical barriers to arts participation; A change in knowledge, attitude, behavior or condition due to public art, arts festivals or arts events; Artists expand and improve their work and the way in which they create it. Artists/arts groups are strengthened by connecting to their communities through the arts; Artists connect to new audiences, building relationships that provide artistic growth. Interviews/Conversations with participants ; Interviews/Conversations with board/staff/leaders ; Reviewing recorded information or documentation (such as finances, attendance records, work plans) ; Observation
We achieved goals to increase access to Eastern European Jewish music, as demonstrated by interviews indicating that participants had previously sought access to this cultural expression but hadn't previously been able to access it. We also observed that
Other,local or private