Operating Support
Operating Support
We sing together to unite people and amplify diverse voices through rigorous artistic practice and joyous collaboration.
Uri Camarena: business consultant; Michael Charron: arts educator, arts and civic leader; Richard Cohen: attorney in private practice, former state legislator; Emily Galusha: arts and civic leader, former arts administrator; Anthony Gardner: vice president, marketing and communications at CentraCare; Ken Martin, political strategist, campaign manager; Philip McKenzie: adjunct college faculty; Nichole Melton-Mitchell: healthcare administrator; Michele Sterner: higher education administrator; Dobson West: retired attorney; Christina Woods: executive director, Duluth Art Institute
Uri Camarena: business consultant; Michael Charron: arts educator, arts and civic leader; Richard Cohen: attorney in private practice, former state legislator; Emily Galusha: arts and civic leader, former arts administrator; Anthony Gardner: vice president, marketing and communications at CentraCare; Ken Martin, political strategist, campaign manager; Philip McKenzie: adjunct college faculty; Nichole Melton-Mitchell: healthcare administrator; Michele Sterner: higher education administrator; Dobson West: retired attorney; Christina Woods: executive director, Duluth Art Institute
ACHF Arts Access
Minnesota Chorale provides choral instruction and performances for youth, professional singers, and seniors to benefit diverse Minnesota audiences. List of performances, classes and workshops offered; repertoire for the year shows diversity of programming; locations of and attendance at concerts; number of participants. 2: Minnesota Chorale reaches audiences in concert halls, churches, and community venues to overcome obstacles to participation in the choral arts. List of community venues and means of access (ticketed or non-ticketed, price point), numbers and types of groups reached, online and in-person participation numbers.
This outcome was fully achieved. Post-concert surveys of audience members and singers to determine efficacy and impact of rehearsals and performances 2: This outcome was fully achieved. Post-concert surveys of audience members; detailed accounting of participation and locations.
Other, local or private