Flexible Support
Flexible Support
Theatre Pro Rata presents Orlando, by Sarah Ruhl
Cristeta Boarini: 826 MSP Program Director; Robyn Cline: City of Savage Economic Development Commissioner; Amanda Cortes: Artspace and Springboard for the Arts; Paul Creager: Square Lake Film and Music Festival Founder and Director; Adrienne Doyle: Juxtaposition Arts Tactical Lead and Development Associate; Craig Dunn: Access Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Interdisciplinary Artist and Sparkle Theatricals Creative Creative Director; Ryan-Olivia McCoy: Black Label Movement and Shapeshift dancer; Christal Moose: Native Arts Collaborative Agency and Native Pride Productions, Inc. Arts Manager and Artist; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Independent Consultant; Andrea Sjogren: Community Education; Lue Vang: McKnight Foundation Accountant; Sara Wilson: Lommen Abdo P.A. Attorney; Kate Walker: Valley Chamber Chorale Singer; Lauren White: Augsburg College Assistant Director of Leadership Gifts.
Daniel Tran, Community Education, General Administration, Artistic; Donna Ray; Margo Gray, Artistic, General Administration, Organizational Development; Naomi Ko, Artistic; Quinn Villagomez, Equity, Diversity, Inclusion, Marketing/Audience Development, General Administration.
ACHF Arts Access ACHF Arts Education ACHF Cultural Heritage
A reduction in geographic, cultural and/or physical barriers to arts participation; a change in knowledge, attitude, behavior or condition due to arts events; arts groups' are strengthened by connecting to their communities through the arts; artists expand and improve their work and the way in which they create it; artists connect to new audiences, building relationships that provide artistic growth. Observation ; Surveying (paper or online)
We were thrilled to have a successful production that uplifted our artists and audience, and let the script shine. We evaluated the project with discussions with audience members.cast/crew/board/company, we reviewed financial and box office reports with the board/company, and we used an anonymous survey of feedback from the artists post mortem.
Other,local or private