Flexible Support
Flexible Support
CLUES Arts and Cultural Engagement Sustainability and Resiliency Support
Cristeta Boarini: 826 MSP Program Director; Robyn Cline: City of Savage Economic Development Commissioner; Amanda Cortes: Artspace and Springboard for the Arts; Paul Creager: Square Lake Film and Music Festival Founder and Director; Adrienne Doyle: Juxtaposition Arts Tactical Lead and Development Associate; Craig Dunn: Access Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Interdisciplinary Artist and Sparkle Theatricals Creative Creative Director; Ryan-Olivia McCoy: Black Label Movement and Shapeshift dancer; Christal Moose: Native Arts Collaborative Agency and Native Pride Productions, Inc. Arts Manager and Artist; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Independent Consultant; Andrea Sjogren: Community Education; Lue Vang: McKnight Foundation Accountant; Sara Wilson: Lommen Abdo P.A. Attorney; Kate Walker: Valley Chamber Chorale Singer; Lauren White: Augsburg College Assistant Director of Leadership Gifts.
Daniel Tran, Community Education, General Administration, Artistic; Donna Ray; Margo Gray, Artistic, General Administration, Organizational Development; Naomi Ko, Artistic; Quinn Villagomez, Equity, Diversity, Inclusion, Marketing/Audience Development, General Administration.
ACHF Arts Access ACHF Arts Education ACHF Cultural Heritage
A reduction in geographic, cultural and/or physical barriers to arts participation; a change in knowledge, attitude, behavior or condition due to arts events; arts groups' are strengthened by connecting to their communities through the arts; artists expand and improve their work and the way in which they create it; artists connect to new audiences, building relationships that provide artistic growth. Interviews/Conversations with participants ; Interviews/Conversations with board/staff/leaders ; Community dialogue (group conversations with a large group) ; Observation
CLUES measured interest by the number of attendees at event and the number of artists growing in their craft. We inferred level of connection to Latino culture through surveys and discussion. CLUES saw an estimate of 10,000 attend the gallery in St. Paul and had over 8,000 people attend virtual events. Staff captured participant comments from Facebook, at workshops, and surveyed participants. An audience member commented: ?This makes me proud of my roots...The works of art are EXCELLENT.? One participant commented about the workshop, ?Meeting every week with artists and teachers that have similar experiences as I do; as immigrants, workers, students, Latinx people living in the diaspora, emerging artist etc. has been so good for the soul!!? An emerging artist said, ?Now I can see? that public art is very connected to the communities it comes out of?muralism allows for history to exist as public art and tell the truth of the community that put it up in their own vision.?
Other,local or private