Arts Project Support
Arts Project Support
The Garden: A Refuge
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Diana Siegel-Garcia: Artistic, Organizational Development, Audience Development / Marketing; Dustin Steuck: Artistic, GeneralManagement/Administration/Support, Equity, Diversity, Inclusion; Irna Landrum: Equity, Diversity, Inclusion, General Management/ Administration/ Support, Artistic; Jeff Ambroz: Artistic, Fundraising, General Administration; Karla Arredondo Payan: Organizational Development, Fundraising, Community Service / Development; Kathy Mattson: Organizational Development / Planning, Volunteerism, Fundraising; Ying Vu: General Administration, Finance, Artistic; Zhen Zou: Education, General Management / Administration, Artistic.
ACHF Arts Access
We aim to achieve two measurable outcomes involving both the quality of Storydance productions, and then numbers of people reached through performances. This will be done through 1) A final survey showing 70% of audience members gave the final show a favorable rating 2) audience total numbers of 70 people or better for final shows. For evaluation of the project we will consider quantitative and qualitative data. Methods used include Audience and Participant count; Audience/Participant online surveys via Storydance Facebook page; informal Post-Performance Audience feedback through discussion, and options for simple creative writing and drawing activities; Artist surveys and informal feedback.
Exact numbers of attendance are difficult achieve with Zoom and Vimeo use, as ticketing could include more than one person per event. However, based on ticket sales: We had: 15-20 people attending 3 Gathering Events; 22 tickets for full and donation based pay for the filmed play; 22 people in attendance for 2 outdoor performances; 11 artists, 2 filmmakers, 1 dance coach participate.
Other,local or private