Arts Project Support
Arts Project Support
Lightning Rod 2020
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Carolina Gustafson: Program Development, Artistic, Equity, Diversity, Inclusion; Connie Fullmer: General Management / Administration; Jamie Marshall: Artistic, General Administration, Organizational Development; Kajsa Jones: Fundraising, Artistic, Education; Ryan-Olivia McCoy: Artistic, Youth Programming, Community Service / Development.
ACHF Arts Access
100% of work time of artistic leadership during the week-long program from August 9th-15th will be devoted to mentorship and guidance of artistic cohort (as opposed to running logistics). Expand and diversify our audience (increase IPOC attendance by 30%) and sell out all performances. Our Production Manager and event volunteers will distribute and collect paper surveys and manage online surveys for audience and artists. Our Production Manager and Advisory Council (who we are requiring to attend the show) will participate in a post-show discussion and feedback session no later than August 31st.
We did not get to 100% time of artistic leadership spent on mentorship, but got much closer than previous years (something like 85% of time). Our performances were sold out (free to the public). Our audience was 51% IPOC, which is about the same as 2019 audience. However, we actually analyzed the 2019 numbers and had assumed more than 50% white audience in 2019, which was not the case.
Other,local or private