Arts Project Support
Arts Project Support
St Croix Celebration and Jokesters and Pranksters
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner
Alice Kim: General Management/ Administration/ Support, Marketing/Audience Development, Fundraising; Jeff Ambroz: Artistic, Fundraising, General Administration; Kajsa Jones: Fundraising, Artistic, Education; Kathy Mattson, Organizational Development / Planning, Volunteerism, Fundraising; Larry Weinberg: Artistic, Community Education, Youth Programming; Lydia Four Horns: Artistic, Community Education, Youth Programming; Rachel Bender: Community Education, General Administration, Education; Scott Swanson: General Management / Administration, Artistic, Finance / Audit.
Metropolitan Regional Arts Council, Kathy Mouacheupao (651) 645-0402
ACHF Arts Access
About 350 people will enjoy MSC's free collaborative performance at Trinity Lutheran Church, including 40% who have never heard a performance by Music Saint Croix. At least 75% of the audience at each Jokesters and Pranksters concert will engage with musicians at receptions following each performance. Audience counts and ticket sales will indicate attendance; applause, audience comments, and online feedback will indicate enjoyment and engagement. Age, disability and ethnic diversity will be measured by audience observation, taken by board members. Post-performance feedback by audience members at receptions will be the primary indicator of engagement with musicians.
Outcomes for live performances were not met. Revised outcomes for YouTube release and distribution were met, although the demograhic distribution of listeners/viewers is unknown. About 290 viewers have seen the YouTube videos at this time.
Other,local or private