Operating Support Grant
Operating Support Grant
To enhance Fundraising: donor cultivation/strategic planning, staff enhancement, artist subsidy.
Tara Makinen: Executive Director of Itasca Orchestra and Strings, musician; Tammy Mattonen: visual artist, co-founder of Crescendo Youth Orchestra; Kathy Neff: musician, Director, Fine Arts Academy at the University of Minnesota-Duluth; Ron Piercy: jeweler, gallery owner; Emily Swanson: arts administrator at Oldenburg Arts and Cultural Community; Daniel Oyinloye: musician, videographer; Kris Nelson: artist, teacher; Roxann Berglund: musician; Bill Payne: Professor of Theater at the University of Minnesota-Duluth
Tara Makinen: Executive Director of Itasca Orchestra and Strings, musician; Kathy Neff: musician, Director, Fine Arts Academy at the University of Minnesota-Duluth; Ron Piercy: jeweler, gallery owner; Daniel Oyinloye: musician, videographer; Kris Nelson: artist, teacher; Bill Payne: Professor of Theater at the University of Minnesota-Duluth
ACHF Arts Access
After each program, residency or artistic event, we discuss among staff and participating artists the results of the activities and any ways in which we might improve services or support, enhance engagement, or adjust or add programming. We consider all information and have responded to issues small and large based on this input and feedback ? from small cabin improvements to substantive program additions and changes such as our Ambassadors Week, and programs to engage more BIPOC artists. We?ve begun following up with artists several years after their residency to measure long-term impact. We were in constant dialogue with artists around the pandemic?s impact on 2020 plans and programs. In the aftermath of the killing of George Floyd, we had many discussions with BIPOC artists about the compounded stress they felt and their need for time in a peaceful retreat; we extended our abbreviated 2020 season by a week and opened available cabins up to BIPOC artists in response to these needs. We survey participants in our programs and activities to determine how artists? experience at the Center compared to their initial expectations, if and to what extent their time at the Center helped them reach their anticipated goals, how they felt about scheduled vs. unscheduled time, how the environment at the Center contributed to their creative process, how their time at the Center impacted their career/artistic development, and more. We also conduct assessments of Center programs and activities with the artists and instructors, throughout the process and at the end of a given residency/activity, to discuss overall success, operational effectiveness, ideas for improvement, and potential for expanded engagement. We also track information about the artists who spend time in residence at the Center, such as demographic data and artistic discipline. We invite feedback from participants and audiences via email and social media posts, which we relay to our board of directors along with select survey feedback. Our local contracted staff helps us to monitor our local impact by sharing comments and discussions they have with residents in and around Ely. Their feedback and input help us to gauge the extent to which local residents are aware of Tofte Lake Center and its work and opportunities, which has a direct impact on our PR and marketing strategies (where we post online, on websites and calendars to send information about our activities, local advertising, etc.).We are seeking funds from ARAC and the other funders listed above and below to expand access for people whose economic circumstances limit their participation in our programming. By making more subsidies available to engage diverse Minnesota artists for residencies, we intend to overcome both economic barriers and perceptual barriers the artists may have about artistic residencies and retreats. In our strategic planning process, we have begun to look at our application process to find ways to make it more equitable and accessible to a wider and more diverse community of artists. As noted earlier, it is a particular goal of ours to welcome more BIPOC artists who may regard residency opportunities like those we offer out of their reach and/or not applicable or accessible to them. At the same time, we are working with the board and other stakeholders to strengthen Tofte Lake Center?s visibility in, and engagement with, the local community. Increased economic access, and cultural diversity and inclusion, are express goals of our project. We would like to engage with local organizations to be allies in anti-racism work. Our successful and now-annual Ambassadors Week of residencies for BIPOC artists is one of the ways we build greater inclusion and diversity at the Center. We especially encourage, support, and help facilitate our artists in residence to engage with the local community?in their artistic work (its development and/or presentation), and in presenting the results of that artistic work
Our goals with this grant were threefold: to make more subsidies available to engage and support BIPOC artists who may regard residency opportunities like those we offer inapplicable or inaccessible; to strengthen TLC's visibility and engagement with the local community; to present the results of that artistic work off-site in Ely and elsewhere. We've been successful on all three fronts. We received support from MSAB to fund 2 week-long residencies for BIPOC artists from MN, and due to its success, will do so in 2022 in an expanded form for emerging BIPOC artists and BIPOC parent artists. We expanded and solidified partnerships with area Ely arts organizations and venues, promoting a ?Passport Partnership? between our artists and these organizations and businesses. We entered our visual artists in the Ely Art Walk and participated artistically in community-wide conversations around the Pagami Creek Fire. Work created at TLC has gone on to be produced in the Twin Cities, TX, and beyond.