Arts Tour Minnesota
Arts Tour Minnesota
Zorongo will use the grassroots appeal of Spanish flamenco dance and music to tell contemporary stories about the plight of homelessness and the immigrant experience in seventeen venues for adults and children.
Ardell Brede: Mayor of Rochester, elected 2002.; Peggy Burnet: Businesswoman, art collector, and community volunteer. Chair of the Nominating Committee, Smithsonian National Board. Trustee, Hirshhorn Museum and Sculpture Garden.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design. Vice Chair, Minnesota State Arts Board.; Michael Charron: Dean of the School of the Arts, Saint Mary's University of Minnesota. Vice Chair, Minnesota State Arts Board.; Sean Dowse: Mayor of Red Wing, elected 2016. Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Chair, Minnesota State Arts Board.; Philip McKenzie, Oboe and English horn player; adjunct oboe faculty, NDSU. Secretary/Treasurer, Minnesota State Arts Board.; Mary McReynolds-Pellinen: Executive director, Lyric Center for the Arts; coordinator, First Stage Gallery. Officer at-large, Minnesota State Arts Board.; Thomas Moss: Consultant to nonprofits and government agencies.; Dobson West: Senior advisor, Spell Capital Partners Fund.; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre.
Alexandra Eady: Performer and dance teacher, Ananya Dance Theatre; Rae French: International programs and study abroad coordinator, University of Minnesota Crookston; Richard Gardner: Library assistant, Northfield Public Library; Amy Hunter: Retired educator; board member, Minnesota Citizens for the Arts; Kenichi Thomas: Touring musician DJ Just Nine
ACHF Arts Access
Audience members will feel that the contemporary flamenco theater performance Casita enriched their understanding of the plight of homeless women. Quantitative and qualitative data will be used to evaluate outcomes: (a) participation rates; (b) surveys with scaled responses (adults); (c) survey write-in comments (adults); (d) post-performance discussions (adults and children). 2: Children who see Toro will feel more empathetic towards immigrant children in their school and community, regardless of their country of origin. Quantitative and qualitative data will be used to evaluate outcomes: (a) participation rates; (b) surveys with scaled responses (adults); (c) survey write-in comments (adults); (d) post-performance discussions (adults and children).
Audience members will feel that the contemporary flamenco theater performance Casita enriched their understanding of the plight of homeless women. Quantitative and qualitative data were used to evaluate outcomes. Post-performance discussions were used as means to gather feedback. 2: Children who see Toro will feel more empathetic towards immigrant children in their school and community, regardless of their country of origin. Qualitative data was used to evaluate outcomes. Post-performance discussions were used as means to gather feedback.
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