Arts Tour Minnesota
Arts Tour Minnesota
Sounds of Hope will bring a concert featuring the cultural songs and dances of 75 children and young adults from fourteen countries worldwide to six cities south and west of the Twin Cities.
Ardell Brede: Mayor of Rochester, elected 2002.; Peggy Burnet: Businesswoman, art collector, and community volunteer. Chair of the Nominating Committee, Smithsonian National Board. Trustee, Hirshhorn Museum and Sculpture Garden.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design. Vice Chair, Minnesota State Arts Board.; Michael Charron: Dean of the School of the Arts, Saint Mary's University of Minnesota. Vice Chair, Minnesota State Arts Board.; Sean Dowse: Mayor of Red Wing, elected 2016. Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Chair, Minnesota State Arts Board.; Philip McKenzie, Oboe and English horn player; adjunct oboe faculty, NDSU. Secretary/Treasurer, Minnesota State Arts Board.; Mary McReynolds-Pellinen: Executive director, Lyric Center for the Arts; coordinator, First Stage Gallery. Officer at-large, Minnesota State Arts Board.; Thomas Moss: Consultant to nonprofits and government agencies.; Dobson West: Senior advisor, Spell Capital Partners Fund.; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre.
Rebecca Davis-Lee: Concert pianist; former vice chair, Minnesota State Arts Board.; Jay Gilman: Artistic director, MN Fringe Festival; Charles Leftridge: Director of operations, Mankato Symphony Orchestra; Eryn Michlitsch: Artistic director, Mankato Ballet Company; Christine Murakami Noonan: Marketing and advertising supervisor, Minnesota State Fair; former MRAC board chair; Rebecca Petersen: Director of development, West Central Initiative; former executive director of Duluth Superior Symphony Orchestra; Melissa Wray: Program associate, Lanesboro Arts
ACHF Arts Access
Through a unique exposure to youthful performers from diverse, unfamiliar cultures, audiences will develop more positive views of global differences. At each venue, staff will distribute and collect simple questionnaires asking audiences to comment on changes in perception and to rate the uniqueness and quality of the experience. The program director will conduct follow-up interviews with project partn
Audiences numbering approx. 1,086 in six cities had positive experiences with global diversity. Oral feedback from 10-15% audiences (in lieu of written questionnaires) after each event. Oral interviews with partners. Oral interviews with overnight hosts (for both youth and adults).
Other,local or private