Arts Project Support
Arts Project Support
Exploring Islam in America through Hip-Hop and Gamelan.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner.
Adrienne Doyle: Youth Programming, Artistic, Community Service / Development; Betty Mackay: Artistic, General Administration, Organizational Development; Charles Campbell: Artistic, General Management / Administration, Audience Development / Marketing, Artistic; Lydia Sadoff: Artistic, Education, General Management/Administration/Support; Marcus Young: Artistic, Community Education, General Management / Administration; Sai Chang: Volunteerism, Fundraising, General Administration; Sherine Onukwuwe: Artistic.
ACHF Arts Access ACHF Arts Education ACHF Cultural Heritage
Survey of audience members indicates that a majority of respondents have a more favorable view of Islam following the presentation. Survey of audience members indicates that a majority of those who identify as non-Muslim have learned something new and positive about Islam, and that a majority of those who identify as Muslim have an increased sense of the positive role of their faith in contemporary America. We will count the audience. We will include audience surveys in the programs, which will be collected in boxes in the lobby. To insure good participation in the surveys, we will have volunteers with pens standing by the boxes who will encourage people to complete the surveys—a technique that worked well at our last major performance. To further assess the artistic outcome as well as the process, we will conduct post-performance feedback meetings with the performers.
Because of scheduling issues with the original collaborator, Brother Ali, and then performance space issues caused by Covid, the project was ended and no evaluations were taken.
Other,local or private