Arts Project Support
Arts Project Support
Season Two of Outpost at The Hook and Ladder.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: 826 MSP Program Director; Craig Dunn: Arts Accessibility Consultant; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Professional; Alejandra Pelinka: City of Bloomington Director of Creative Placemaking; Tommy Sar: Ordway Center for the Performing Arts Coordinator of Community Programs; Lue Vang: McKnight Foundation Accountant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney; Robyn Cline: City of Savage Economic Development Commissioner.
Bob Peskin: General Management / Administration, Finance / Audit, Fundraising; Brenna Mosser: Artistic, Education, General Management/ Administration/ Support; Denetrick Powers: Community Service / Development, Artistic, Audience Development / Marketing; Jennifer Ilse: Artistic, General Management / Administration; Karen Charles: Artistic, Education, General Management / Administration; Rob Thomas: General Management/Administration/Support, Program Development, Marketing/Audience Development.
ACHF Arts Access ACHF Arts Education ACHF Cultural Heritage
75% of artists presents on the program feel their work was enriched by being paired with cross-genre art. 75% of our audience reports a positive shift in their opinion of new chamber music. Surveys will be distributed to artists and audiences to gather information before and after our concerts in order to gauge how our unique program format influences perception of the works presented.
Of the 90 in attendance in January, 39 partially completed a 2-question survey that gauged pre-concert receptivity to new music and post-concert shift. Unfortunately, 50% failed to answer the 2nd question. 38% were positive. Overcrowding at the ticket counter negatively impacted the survey. In the future, we need an alternative means of implementation. 100% of artists felt their work enriched.
Other,local or private