Community Arts
Community Arts
The Full Moon Puppet Show.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Grace Berke: Community Education, Audience Development / Marketing, Volunteerism; Heather Peebles: Education, Community Service / Development, Computer Systems / Web Design; Jacqueline Nuzzo: Community Education, Audience Development / Marketing, Artistic; LaDonna Morrison: Finance / Audit, General Management / Administration, Organizational Development / Planning; Leslie O'Neill: Artistic, Education, Community Education; Melissa Bleecker: Fundraising, Artistic, General Management.
ACHF Arts Access
Support 6 artists who will each create and perform an original short form adult puppet show for the Full Moon Puppet Show. Provide support for these artists by offering 3 puppet workshops before the final performances in September. Provide artists with workshop space and Mentor feedback. 180 people will attend the show to see the 6 artists perform. Live music by 2 different local music groups will play at The Full Moon Puppet Show. The Full Moon Puppet Show will evaluate its outcomes through audience and participant count throughout the project related to workshops, artists performing, and audience members. Artists surveys will be filled out after the final performances evaluating the overall experience of the program with space for general feedback.
Significant Outcomes include artist feedback that described how the experience gave them confidence to create, taught them how to direct, made them feel excited about the puppetry community, and that it was overall a "transformative experience." This along with 13% of ticket sales were sliding scale, sold out shows, and 30 artists participated were all highlights of the program.
Other,local or private