Arts Activities Support
Arts Activities Support
Much Ado / Arden.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Anton Jones: Artistic, Education, Community Service / Development; Jeff Hansen: Artistic, Audience Development / Marketing, Volunteerism; Michael Robins: Artistic, General Management / Administration, Youth Programming; Robin Gillette: General Management / Administration, Audience Development / Marketing, Organizational Development / Planning; Samantha Sencer-Mura: Education, Youth Programming, Community Education; Shá Cage: Artistic, Community Service / Development, Youth Programming; Susan Rotilie: Artistic, Education, Volunteerism; Suzanne Roberts: Artistic, Community Education, Education.
ACHF Arts Access
The primary goals of TCHF are to provide a supportive platform for original live-horror theater, pay artists fairly for their work, generate marketing buzz surrounding the festival, connect artists a growing horror theater fan base, and entertain that fan base. We will be successful if we are able to pay our admin staff as outlined in the grant to provide critical services, maintain our 100% payout of individual tickets and multi-show punch passes to artists, engage journalists and bloggers to write about the festival, and grow our audience numbers from 2018 (3100 tickets issued). We will also send out a post festival e-survey to artists and audiences to gauge their opinions on overall festival operations and artistic satisfaction.
CAE reached 805 patrons across sixteen performances. In addition to the outcomes noted above, CAE provided 30 artistic activities filled by 24 working artists (some occupying more than one activity). All working artists were from the greater Twin Cities. Through survey comments and observation we continue to see the popularity of access to lesser known works and CAEs signature embedded live music.
Other,local or private