Arts Activities Support
Arts Activities Support
She Wrote That: The Songs of Weill, Brecht and Elisabeth Hauptmann.
Lynne Bertalmio: Retired Director Stillwater Public Library; Cristeta Boarini: Mid-Continent Oceanographic Institute Program Director; Tricia Heuring: Public Functionary Executive Director; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Wu Chen Khoo: Technical Tools of the Trade Stage Technical Designer and Director; Wendy Lane: Retired Human Resources Consultant; Dayna Martinez: Ordway Center for the Performing Arts; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Christal Moose: Native Pride Productions Inc Manager; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Deanna StandingCloud: New Native Theatre; Sara Wilson: Gislason and Hunter LLP Attorney.
Audrey Anderson: Organizational Development, Audience Development / Marketing, Artistic; Curt Lund: Audience Development / Marketing, Artistic; Heidi Droegemueller CFRE: Fundraising, Volunteerism, Organizational Development / Planning; Kim Peterson: Organizational Development, General Administration, Volunteerism; Monica Cruz Zorrilla: Organizational Development, Community Education, Community Service / Development; Teresa Mock: Artistic, Audience Development / Marketing, Organizational Development / Planning.
ACHF Arts Access
We hope to have robust attendance of 90-110% capacity each day/night of the run and that our audiences are moved to make connections between the issues represented in our piece and those of our lives presently. We look forward to enlightening audiences to the depth and breadth of the collaboration between Hauptmann and Weill and Brecht and her intrinsic contribution to the canon of work that has heretofore only been credited to the more well-known partnership between the male composers. We will hold two formal and nightly informal after-show talk-back sessions with our audience members to hear their feedback, impressions, propose questions and suggestions and allow them a chance to express how the work impacted them. Audience members will be presented with written surveys via email at the end of the run and the artistic team will meet to discuss the success of our work based on our projected goals regarding audience attendance and engagement and the different forms of feedback we will access.
Ticket sales were satisfactory and we were able to meet our goal of near 100% audience capacity. Our early marketing was unfortunately limited by the project start date of the grant so our first week was slower than we'd hoped. But we made up for it with second week. Audiences were generally very moved by the timeliness and directness of the piece as it illuminated much-needed issues for us today.
Other,local or private