Rural and Community Art Project Grant
Rural and Community Art Project Grant
Rainy Lake Community Orchestra String Camp.
Tara Makinen: executive director of Itasca Orchestra and Strings, musician; Moira Villiard: visual artist, cultural programming coordinator at American Indian Community Housing Organization; Amber Burns: choreographer, dancer, actor, middle school art teacher; Margaret Holmes: visual artist, poet, and former Children’s Theatre employee; Tammy Mattonen: visual artists, co-founder of Crescendo Youth Orchestra; Kayla Aubid: Native American craft artist, writer, employee at MacRostie Art Center; Ariana Daniel: mixed media artist, arts instructor; Kathy Neff: musician, Director, Fine Arts Academy at the University of Minnesota Duluth; Ron Piercy: jeweler, gallery owner; Emily Swanson: arts administrator at Oldenburg Arts and Cultural Community; Christina Nohre: writer and arts advocate.
Tammy Mattonen: visual artist, co-founder of Crescendo Youth Orchestra; Ron Piercy: jeweler, gallery owner; Christina Nohre: writer and arts advocate; Johnnie Hyde: choreographer and dance teacher, publisher; Rena Hartman: executive director, Mesabi Community Orchestra.
ACHF Arts Access ACHF Arts Education ACHF Cultural Heritage
The first goal of the program is to provide the opportunity for local string musicians of all ages to come together with musicians of all ages and abilities from Canada, USA and other countries to practice, perform, interact and learn from each other. The second goal is for all musicians to come away with a renewed spirit for practicing and performing at all types of events in the coming year. The third goal is to try to increase the number of new outside musicians, both professional, semi-professional and non-professional string musicians of all ages by 5% attending the camp. Tangible outcomes will be measured by number of participants attending size of audience as well. Area residents and tourists, as audience, will have the opportunity to hear a live orchestral performance of major string works as well as new composers. All members of the orchestra, after a week of intense rehearsal and mentorship, will leave the camp with a rejuvenated spirit. Formal evaluation forms will be distributed to participants, evaluating music, venue, camp events, camper’s participation, and conductors. The audience will also receive an evaluation form to evaluate the choice of music, the venue, length of performance. The participants and guest artists sense of renewed spirit and desire to return to camp in the following year are also measurable outcomes. Informal evaluation will include the number of camp participants, the size of the audience at the performance and spontaneous comments We project that we will have standing room-only at our final concert at the end of the week.
37 people attended the workshop. The audience numbered 150. All participants were excited about the camp and would return again next year. The audience expressed positive praise for both the adult, sinfonia performances, and workshops.
Other,local or private