Arts Activities Support
Arts Activities Support
More Than A Single Story.
Osman Mohamed Ali: Founder and Executive Director; Lynne Bertalmio: Retired Director; Cristeta Boarini: freelance audio producer, journalist, writer, Tricia Heuring: Public Functionary Executive Director, Alejandra Iannone: Creative Co-Director, Wu Chen Khoo: Technical: Stage Technical Designer,Stage Director, Wendy Lane: Retired Human Resources Consultant, Dayna Martinez: Ordway Center for the Performing Arts, Donna Saul Millen: Events Director, Christal Moose: Manager, Adaobi Okolue: Executive Director, Andrea Sjogren: Adult and Youth Programs Coordinator, Deanna StandingCloud: Program and Community Network Director, Sara Wilson: Attorney.
Amelia Foster: Artistic, Community Service and Development, General Management and Administration; David Kang: General Administration, Fundraising, Artistic; Elin Anderson: Artistic, Education, Volunteerism; Emma Kasiga: Finance, Education, Community Service and Development, Heather Peebles, Education, Community Service and Development, Computer Systems and Web Design; Kasey Payette: Artistic, Audience Development and Marketing, Fundraising; Prabana Balapuwaduge Mendis: Artistic, Organizational Development, Education; Teqen Zea-Aida: Audience Development and Marketing, General Administration, Organizational Development.
ACHF Arts Access
At least 300 participants will attend the total of four More Than A Single Story events, presented by 16+ IPOC writers and arts activists. At least 80% of audiences will report new or deeper understanding of issues with which indigenous communities and communities of color grapple in their lives, and in their writing. Quantitative: we will count attendance (free admission). Qualitative: we will survey all participating artists in post-event discussions, audience members through conversation and possibly short surveys, and venues/presenters to assess satisfaction with the format, content, and artists presented.
335 participants attended four More Than A Single Story events, presented by 24 artists of color and indigenous artists. 95% of audiences expressed deeper understanding of issues within IPOC communities, as experienced through these readings and community conversations.
Other,local or private