Arts Activities Support
Arts Activities Support
Moving Time
Julie Andersen: Eagan Art House Executive Director; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Deanna StandingCloud: Tiwahe Foundation Program and Community Network Director; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Wu Chen Khoo: Technical Tools of the Trade: Stage Technical Designer and Director.
Alyssa Anderson: Artistic, Audience Development, Marketing, General Administration; Anitra Budd: Artistic, Education, General Administration; Audrey Park: Community Education, General Administration, Audience Development, Marketing; Loren Niemi: General Management, Administration, Artistic, Organizational Development, Planning; Maggy Otte: Organizational Development, Artistic, Fundraising; Natalie Wass: Artistic, Volunteerism, Education; Robyne Robinson: Artistic, General Administration.
ACHF Arts Access
To have at least one conversation among the audience about the themes of representation, communication, and political efficacy after any performance. To provide at least three artists with the challenges of experimenting with interrupted/interrupting structured improvised performance. We will engage in post-project feedback sessions with the artists involved, and with our Board. We will also keep track of audience numbers and have opportunities for audience to respond both verbally and in writing.
Two of the most significant outcomes resulting from this project were that the ten artists involved felt motivated by this experience to work together again on a new project, and the level of audience engagement. Actual plans were made for the artists to work together again. Notably, so far five viewers initiated in-person conversations, days and weeks after the performance, to discuss the project.
Other,local or private