Arts Activities Support
Arts Activities Support
WordsDoMove
Julie Andersen: Eagan Art House Executive Director; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Deanna StandingCloud: Tiwahe Foundation Program and Community Network Director; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Wu Chen Khoo: Technical Tools of the Trade: Stage Technical Designer and Director.
Alejandra Tobar Alatriz: Artistic, Community Service, Development, Organizational Development; Alison Goetzman: Volunteerism, Finance, General Administration; Anton Jones: Artistic, Education, Community Service, Development; Christopher Bineham: General Management, Administration, Fundraising, Artistic; Dana Mattice: General Administration, Fundraising, Artistic; Emily Cole-Jones: Fundraising, Artistic, Youth Programming; Lara Cornell: Education, General Administration, Organizational Development; Yang Mee Moua Yang: Education, Disabilities Specialist, Artistic.
ACHF Arts Access
Our goal is to see 400 people attend this play, performed and created by thirteen artists. Additionally, we have a goal of 150 post-show participants at our audience feedback stations located in the theater lobby.. We will evaluate our audience count for the full run with compiled daily attendee reports, and will quantify our audience feedback by tallying completed paper surveys, and aggregating participation counts from our non-paper feedback stations.
Our greatest significant qualitative outcome, and one we are proud this show fostered, was that in successfully creating a space for honesty and growth, one of our cast members revealed to us that through this work, they found clarity in their own life and discovered their gender queerness. Additionally, one of our new collaborators joined Sandbox as a member of our permanent ensemble.
Other,local or private