Arts Activities Support
Arts Activities Support
Haunted Basement 2018
Julie Andersen: Eagan Art House Executive Director; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Deanna StandingCloud: Tiwahe Foundation Program and Community Network Director; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Wu Chen Khoo: Technical Tools of the Trade: Stage Technical Designer and Director.
Alejandra Tobar Alatriz: Artistic, Community Service, Development, Organizational Development; Alison Goetzman: Volunteerism, Finance, General Administration; Anton Jones: Artistic, Education, Community Service, Development; Christopher Bineham: General Management, Administration, Fundraising, Artistic; Dana Mattice: General Administration, Fundraising, Artistic; Emily Cole-Jones: Fundraising, Artistic, Youth Programming; Lara Cornell: Education, General Administration, Organizational Development; Yang Mee Moua Yang: Education, Disabilities Specialist, Artistic.
ACHF Arts Access
To provide mentorship and professional opportunities to at least 10 emerging artists from diverse backgrounds. To increase our participating volunteer base by 20% over last year. We will conduct surveys and in person evaluations with artists following the production. We will also conduct volunteer surveys that will include evaluation of our new recruitment initiatives and the value of the experience to our volunteers.
Over 25% of our core artists this year were new to the Haunted Basement. Of that percentage, 30% were new to interactive theatre and/or horror theatre. Almost 6,000 audience members attended this year’s production. Of that, 26% were attending the Haunted Basement for the first time ever.
Other,local or private