Community Arts
Community Arts
Native American and African American Histories in the Arts
Julie Andersen: Eagan Art House Executive Director; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Deanna StandingCloud: Tiwahe Foundation Program and Community Network Director.
Alex Dexheimer: Education, Youth Programming, Community Education; Emily Skoblik-Diallo: Fundraising, Organizational Development; Ghana Mbaye: Artistic, Education; Ishwari Rajak: General Administration, Youth Programming; Jill Anfang: General Management, Administration, Youth; Kate Khaled: Organizational Development, General Administration, Equitable Facilitation and Strategy; Maia Maiden: Artistic; Paul Eastwold: Education, General Administration, Disabilities Specialist; Tia Williams: Artistic, Fundraising, Organizational Development.
ACHF Arts Access
We will emerge from this project with strengthened relationships with artists and their communities, as well as our own. We will do this by producing an event series that has six events curated by and with arts and conversations created by artists and writers who are women of color, First Nations people, collaborative musicians, and Muslim writers and artists. Our monthly arts series will be promoted to the East Side community in particular through the neighborhood low-frequency radio station WEQY and the weekly East Side Review. We will also ensure that the events are open to the East Side as well as a larger audience through our monthly electronic newsletter that reaches 3000 subscribers and social media that also has 3000 subscribers. We will work with all of the artists, at least 30 days in advance, to craft a flier that represents their work and to develop a target list of partner organizations and community groups that should be made aware of the event. Our new project in evaluation with Dr. Remi Douah and his Epimap 247 will engage audience members in qualitative assessment of their experiences at these programs. Epimap 247 is currently working on developing an assessment module for ESFL where we will have a section of our website and a phone app for event attendees to complete surveys and evaluate events. We plan to use online surveys, for instance, to evaluate the project and its outcomes as follows: Which artistic approaches challenge participants to envision how art-making process plays a functional purpose in communities (Participating in demonstrations of artistic activities?)? What artistic processes of the different performances enable attendees to appreciate the arts as a vital function in everyday life rather than a mere tool for entertainment and viewing pleasure? They will process this information with the artists to build and maintain an information feedback loop than can shape the planning of subsequent programs.
Other,local or private