Arts Activities Support
Arts Activities Support
It's all real, It's all fake, It's all DaNCEBUMS
Julie Andersen: Eagan Art House Executive Director; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Colleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney; Alejandra Iannone: Sparkle Theatricals Creative Co-Director; Deanna StandingCloud: Tiwahe Foundation Program and Community Network Director; Adaobi Okolue: Twin Cities Media Alliance Executive Director; Wu Chen Khoo: Technical Tools of the Trade: Stage Technical Designer and Director.
Heather Bunch: Artistic, Education, Disabilities Specialist; Jada Pulley: Youth Programming, Education, Community Education; Max Erickson: Audience Development, Marketing, Volunteerism, Fundraising; Megan West: Artistic, General Administration, Organizational Development; Taous Khazem, Artistic: Youth Programming, General Administration; Tiffany Lange: Artistic, Community Service, Development, Education.
ACHF Arts Access
Our proposed outcomes are that 400 people attend a performance involving thirteen artists. Our evaluation plan consists of lead artist surveys completed post-performance that reflect on the process and collaborative relationship. We will have a nightly audience count and analyze post-performance written/oral feedback from audience members, publications, and blogs.
312 people attended a performance involving 19 artists. Post-performance surveys indicated that 100% of the seven lead artists reported learning and developing methods of collaborating between dance and visual art. 71% of analyzed feedback (written/oral from audience members, publications, and blogs) mentioned the social environment and 29% mentioned the relationship between music and dance.
Other,local or private