Arts Activities Support
Arts Activities Support
Vulcao
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music Teacher and Performer; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney
Susan Rotilie: Artistic, Education, Volunteerism; Ari Koehnen Sweeney: Education, Artistic, Youth Programming; Cigale Ahlquist: Artistic, Fundraising, Audience Development / Marketing, AsaleSol Young: Fundraising, General Administration, Youth Programming; Ryan Stopera: Artistic, Community Education, Youth Programming; Ishwari Rajak: General Administration, Youth Programming; Joe Ippolito: General Administration, Community Education, Artistic; Kasey Payette:Artistic, Audience Development / Marketing, Fundraising
ACHF Arts Access
Artistic: 100% of Contempo's eight-member company, including Artistic Director/Lead Choreographer Marciano Silva dos Santos, will refresh and reignite an important work from our repertoire, working together in a satisfying co-creative process, to present a reworked, high-quality finished piece. Audience: We will meet attendance/ticket sales projections of 70% capacity; and audience interviews will show new or deeper interest in Afro/Brazilian dance, eagerness to experience artistic work that bridges traditional and contemporary forms, and appreciation for the artistic and cultural diversity inherent in our community. We will evaluate artistic and experiential success through one-on-one meetings with each dancer following the performances, and through post-show interviews with selected audience members (and record their responses). We will evaluate quantitative results by comparing budget to actual revenue (and expenses), and counting attendance.
100% of Contempo's eight-member company confirmed a satisfying co-creative process, which allowed them rework an important work from our repertoire. Attendance/ticket sales projections reached 70% capacity and audience interviews showed new or deeper interest in Afro/Brazilian contemporary dance and an appreciation for the artistic and cultural diversity inherent in our community.
Other,local or private