Arts Activities Support
Arts Activities Support
Lyra Baroque Orchestra Music for a King
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music Teacher and Performer; Marisol Chiclana-Ayala: Artist, Board Chair El Arco Iris; Tricia Heuring: Public Functionary Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Vice President for Advancement; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of MN Founder and Executive Director; See More Perspective: Artist; Heather Rutledge: ArtReach St. Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Community Education Adult and Youth Programs Coordinator; Lynne Bertalmio: Retired Director Stillwater Public Library; Wendy Lane: Retired Human Resources Consultant; Donna Saul Millen: TPT-Twin Cities PBS Events Director; Sara Wilson: Gislason and Hunter, LLP Attorney
Michelle Woster; General Management / Administration, Audience Development / Marketing; Betty Mackay; Artistic, General Administration, Organizational Development; Lacey Prpic Hedtke; Artistic, General Management / Administration, Fundraising; Tiffany Xiong; Fundraising, Community Education; Emma Kasiga; General Administration, Organizational Development, Community Service / Development; Carol Oyanagi; Artistic, Community Service / Development, Education, Jay Gilman; Artistic,Organizational Development,Audience Development / Marketing
ACHF Arts Access
An average of 225 people will attend each of Lyra's five concerts, 25 of whom will be students (college age and younger). Audience surveys will show that 10% are first-time attenders, and 90% will show that they enjoyed the performance. Audience assessment will be invited through a simple survey and through conversation at the post-concert reception. Quantitative assessment will be based on ticket counts at each event.
210 people attended Music for a King at Sundin. 45 arrived early for the pre-concert talk, and 80% stayed for the post-concert reception. Because the group went directly to recording the repertoire, I totally forgot to send out the survey! Staff and ushers did, however, all make note of many intensely positive conversations with audience members. This program impacted them more than we expected.
Other,local or private