Technology/Equipment Grant
Technology/Equipment Grant
Purchase of higher-grade used trumpet, chromatic harmonica, and accessories for keyboard/synthesizer
Adam Guggemos: graphic designer, art events promoter; Michelle Ronning: jewelry designer and maker; Tara Makinen: Executive Director of Itasca Orchestra and Strings, musician; Moira Villiard: visual artist, Cultural Programming Coordinator at American Indian Community Housing Organization; Jeanne Doty: Retired Associate Professor UMD Music, pianist; Amber Burns: choreographer, dancer, actor, middle school art teacher; Margaret Holmes: visual artist, poet, and former Children's Theatre employee; Tammy Mattonen: visual artists, co-founder of Crescendo Youth Orchestra; Kayla Schubert: Native American craft artist, writer, employee at MacRostie Art Center.
Adam Guggemos: graphic designer, art events promoter; Amber Burns: choreographer, dancer, actor, middle school art teacher; Margaret Holmes: visual artist, poet, and former Children's Theatre employee; Janeen Carey: vocalist, retired Hibbing Community College librarian and information media specialist; Jon Brophy: lighting and costume designer; Ryuta Nakajima: professor of fine art at the University of Minnesota-Duluth, visual artist; Amy Varsek: Education Director at Duluth Art Institute, visual artist.
Arrowhead Regional Arts Council, Drew Digby (218) 722-0952
ACHF Arts Access ACHF Arts Education
In the short term, the keyboard accessories will help prevent any damage to my keyboard. The trumpet will look and sound better on stage than the current one not only in the short term, but will last me many years. Playing more styles and collaborators demands more flexibility. In the long term, the trumpet and harmonica will allow me to sound better in multiple genres and among multiple artists with their own unique sounds. These items are necessary for me to be able continue advance musically and push past any anticipated plateau" whose only limiting factor is equipment quality. After every show I play, I ask several people in the crowd what they thought not only of the band, but my parts specifically. Usually I ask repeat attendees who have a standard of comparison. I also do this with my band members. Therefore, I will be able to know if my goals are being reached through the use of my new equipment. People will certainly notice the use of the new harmonica as well, providing a sort of instant gratification for repeat attendees who have never seen it in performance for the primary band. I will be able to determine if I've achieved greater flexibility based on comparing my previous stylistic work with new stylistic work, particularly in terms of scope of instrumentality."
Other,local or private