Artist Initiative
Artist Initiative
Aby Wolf will complete a new contemporary music work for 15-person chamber ensemble, integrating vocal harmonies and electronic elements with strings and mallet percussion to be shared in a public performance.
Ardell Brede: Mayor of Rochester, elected 2002; Peggy Burnet: Businesswoman, art collector, and community volunteer. Member of the Smithsonian National Board. Former chair of the board, Hirshhorn Museum and Sculpture Garden. Chair, Minnesota State Arts Board.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design.; Michael Charron: Dean of the School of the Arts, Saint Mary’s University of Minnesota. Officer at -Large, Minnesota State Arts Board.; Rebecca Davis-Lee: Touring pianist, piano and music theory teacher. Vice Chair, Minnesota State Arts Board.; Sean Dowse, Mayor of Red Wing, elected 2016. Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Secretary/Treasurer, Minnesota State Arts Board.; Thomas Moss: Consultant to nonprofits and government agencies.; Dobson West: Senior advisor, Spell Capital Partners Fund; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre. Vice Chair, Minnesota State Arts Board.
Zachary Baltich: Percussionist/composer, Arts board grantee; Rolf Erdahl: Bass player, OboeBass!; bass instructor, Gustavus Adolphus College; Sarah Greer: Improvisational singer, songwriter, and teacher; Arts Board grantee; Nathan Hanson: Composer and saxophonist; Arts Board grantee; El Karnwie-Tuah: Hip-hop artist; Arts Board grantee; Heidi Lord: Percussionist; director of concert production and personnel, Duluth Superior Symphony Orchestra; Jean Perrault: Director of orchestras, University of Minnesota Duluth
ACHF Arts Access
I will complete a new contemporary classical work for 15-person chamber ensemble, developing new skills as a composer and performer. Development of my composition skills will be measured through feedback from audiences and collaborating performers/artists. 2: I will present and document a public performance of my new chamber work, allowing me to reach new audiences and develop new professional opportunities. Concert attendance will be measured through ticket sales and head counts. Professional development and opportunities will be evaluated by interest shown for potential future bookings.
I completed a new contemporary classical work for 11-person chamber ensemble and developed new skills as a composer and performer. Development was measured through ongoing feedback from audiences and ensemble collaborators. 2: I presented and documented the public performance of my new work, reached new audiences, and developed new professional opportunities. Concert attendance was ticketed and counted, and I have received new bookings to share the work in the future.
Other,local or private