Arts Activities Support
Arts Activities Support
Nature in Washburn Fair Oaks Park.
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music teacher, performer; Shelly Chamberlain: Minnesota Council of Nonprofits Operations Director; Marisol Chiclana-Ayla: Artist, Board Chair at El Arco Iris; Jamil Jude: Theatre artist; Tricia Khutoretsky: Public Functionary Curator and Co-Director; Peter Leggett: Walker West Music Academy Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Director of External Relations; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of Minnesota Founder and Executive Director; Kathy Mouacheupao: Twin Cities Local Initiatives Support, Corporation Cultural Corridor Coordinator; Adam Napoli-Rangel: Artist; Heather Rutledge: ArtReach Saint Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Public Schools Youth Programs Coordinator; Dameun Strange: Composer, Performer; Melissa Wright: Twin Cities Public Television.
Maren Ward: Artistic, community service, development, organizational development; Angela Bernhardt: Fundraising, general management, fundraising, community service, development; Carolyn Van Nelson: Finance, audit, fundraising, general management, administration; Julia Brown: General administration, artistic, education; Maggie Thompson: Artistic, education, audience development, marketing; Conie Borchardt: Artistic, community service, development, general administration; Mai Yang: Artistic, community education, education; Emily Lamberty: Fundraising, finance, organizational development; Tina Burnside: Community education, community service, development, volunteerism.
ACHF Arts Access
Our quantitative outcome goal is to have a diverse (age, gender, ethnic background) mix of at least 1,000 people attend our performances. Our qualitative goal is to deepen the connection our attendees feel with Washburn Fair Oaks Park and the surrounding community partners. We'll measure this through engagement with our audience, both onsite and in the weeks following the performances. We will use ticket records to measure attendance, and post-show audience surveys to collect demographics. For the engagement piece, we'll ask questions about audience experience on the survey, and we'll work with our community partners to gauge participation from their networks.
The most exciting outcome of this project for us was the opportunity to offer the show for free – it’s the first time in Nature’s production history that we’ve been able to do it, and the enthusiastic response from the community, as evidenced by the audience feedback quoted above, as well as the diversity of audience that we were able to attract, motivates us to try to do it again.
Other, local or private