Arts Activities Support
Arts Activities Support
Moby Dick, an original adaptation from the novel by Herman Melville.
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music teacher, performer; Shelly Chamberlain: Minnesota Council of Nonprofits Operations Director; Marisol Chiclana-Ayla: Artist, Board Chair at El Arco Iris; Jamil Jude: Theatre artist; Tricia Khutoretsky: Public Functionary Curator and Co-Director; Peter Leggett: Walker West Music Academy Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Director of External Relations; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of Minnesota Founder and Executive Director; Kathy Mouacheupao: Twin Cities Local Initiatives Support, Corporation Cultural Corridor Coordinator; Adam Napoli-Rangel: Artist; Heather Rutledge: ArtReach Saint Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Public Schools Youth Programs Coordinator; Dameun Strange: Composer, Performer; Melissa Wright: Twin Cities Public Television.
Courtney Kupsch: Fundraising, audience development, marketing, artistic; Kate Tucker: General administration, fundraising, education; Anton Jones: Artistic, education, community service, development; Molly Doran: Community service, development, volunteerism, general administration; Anna Eveslage: Artistic, education; Romi Slowiak: Organizational development, general administration, community service, development; Anitra Budd: General administration, audience development, marketing, organizational development.
ACHF Arts Access
Quantitative - 400 audience members in attendance, including two secondary and/or college-level classrooms attending. Qualitative - 95% of the artist involved indicate a fulfilling, enriching experience of their craft, and 70% of audience members indicate they attended a moving, relevant piece of theatre. Audience surveys, post-show talk backs, and post-mortem discussion with artists will be used to evaluate our anticipated outcomes.
Nearly 500 people attended the production over 12 productions, including members from seven press organizations who gave unanimous glowing reviews. The number of attendees marks the highest recorded attendance in company history, affecting more audiences and artists than ever before. We were able to pay our artists more than double the average non-equity contact salary in the Twin Cities.
Other, local or private