Community Arts
Community Arts
Strains New Music Ensemble Twin Cities Concert Series. Funding to perform four concerts of new music at Hoverston Chapel at Augsburg College, the Schubert Club Museum in St Paul, the performance space at Regis Center for Art and SPACE at Savage Umbrella, and to present one educational workshop and one instrument builder workshop at the University of Minnesota School of Music. Events will take place in June and July of 2017.
Julie Andersen: Eagan Art House Executive Director; Bethany Brunsell: Music teacher, performer; Shelly Chamberlain: Minnesota Council of Nonprofits Operations Director; Marisol Chiclana-Ayla: Artist, Board Chair at El Arco Iris; Jamil Jude: Theatre artist; Tricia Khutoretsky: Public Functionary Curator and Co-Director; Peter Leggett: Walker West Music Academy Executive Director; Dayna Martinez: Ordway Center for the Performing Arts; Coleen McLaughlin: Arts Midwest Director of External Relations; Tom Moffatt: Silverwood Park Supervisor; Osman Mohamed Ali: Somali Museum of Minnesota Founder and Executive Director; Kathy Mouacheupao: Twin Cities Local Initiatives Support, Corporation Cultural Corridor Coordinator; Adam Napoli-Rangel: Artist; Heather Rutledge: ArtReach Saint Croix Executive Director; Djenane Saint Juste: Afoutayi Dance Company Founder; Andrea Sjogren: Hopkins Public Schools Youth Programs Coordinator; Dameun Strange: Composer, Performer; Melissa Wright: Twin Cities Public Television.
Robert Cuerden: Audience development, marketing, fundraising, organizational, development, planning; Janet Fried: Artistic, education; Laura Krider: General management, administration, artistic; Vong Lee: Artistic, youth programming, community service, development; Anna Min: Audience development, marketing, organizational development; Noel Nix: Community service, development, general administration, organizational development; Nasibu Sareva: General administration, fundraising, community service, development; Joyce Strand: Youth programming; Joko Sutrisno: Artistic, education, audience development, marketing, general administration.
ACHF Arts Access
DIY Instrument Builder workshop participant surveys show that 95% of respondents successfully created a working electro-acoustic instrument. Strains workshop participants show that 70% of respondents report increased critical listening abilities and engagement with experimental art music. Strains will count audience and workshop participants. Strains will write and administer workshop participant surveys.
DIY Instrument Builder workshop participants reported that 100% of respondents successfully created a working electro-acoustic instrument. 100% of Strains workshop participants reported increased critical listening abilities and engagement with experimental art music. We reached five distinct artistic communities.
Other, local or private