Artist Initiative
Artist Initiative
Weinberg will complete a new body of fictional narrative paintings and will create an artist book which will chronicle the events and circumstances of his fictional characters. He will host an open studio during the Saint Paul Fall Art Crawl with a solo exhibition in the Twin Cities to follow in early 2018.
Ardell Brede: Mayor of Rochester, elected 2002.; Peggy Burnet: Businesswoman, art collector, and community volunteer. Member of the Smithsonian National Board. Former chair of the board, Hirshhorn Museum and Sculpture Garden. Officer at Large, Minnesota State Arts Board.; Uri Camarena: Business consultant, Metropolitan Economic Development Association. Board chair, Minneapolis College of Art and Design.; Michael Charron: Dean of the School of the Arts, Saint Mary?s University of Minnesota. Vice Chair, Minnesota State Arts Board.; Rebecca Davis-Lee: Touring pianist, piano and music theory teacher. Vice Chair, Minnesota State Arts Board.; Sean Dowse, Former executive director, Sheldon Theatre. Board member for Minnesota Citizens for the Arts. Secretary/Treasurer, Minnesota State Arts Board.; David Glenn: Ceramic artist. former executive director of the Minnesota Project.; Thomas Moss: Consultant to nonprofits and government agencies. Chair, Minnesota State Arts Board; Janice Sivertson: Gallery owner and visual artist; Dobson West: Senior advisor, Spell Capital Partners Fund; Christina Widdess: Arts organization consultant; former managing director, Penumbra Theatre
Elizabeth Devine: Jewelry designer and lettering artist; Southeastern Minnesota Visual Artists co-op board member; Brian Frink: Visual artist, professor of painting and drawing, chair, art department, Minnesota State University, Mankato; John Hock: Cofounder, CEO, artistic director of Franconia Sculpture Park; Katrina Knutson: Working artist, freelance educator, and community organizer; Seho Park: Artist; art professor, Winona State University; Judith Saye-Willis: Studio visual artist; Arts Board grantee
ACHF Arts Access
Make a new body of work for a solo show and document the work for an artist book. I will evaluate the success of the proposed outcomes by how compelling the new work is, the feedback and amount of interest received for the artist book, and the attendance of the show. 2: Have an artist talk at the gallery regarding the work in the show, where the work is heading, and the artist book's role in it all. I will evaluate the success of the proposed outcome by the turnout at the artist talk, how dynamic the dialogue with the public is, and how clearly I can articulate my thoughts about my work.
He made a new body of work for a solo show and documented the work for an artist book. This was evaluated by how well the new work was received, the feedback and amount of interest received for the artist book, and by the attendance of the show. 2: He had an artist talk at the gallery regarding the work in the show, where the work is heading, and the artist book's role in it all. This was evaluated by the turnout at the artist talk, how dynamic the dialogue with the public was, and how clearly he was able to articulate his thoughts about the book and the work.