Pheasants Forever (PF) and the U.S. Fish and Wildlife Service (Service) will cooperate to permanently restore and protect approximately 1397.31 acres as Waterfowl Production Areas (WPAs) in western and southern Minnesota. All lands acquired through this grant proposal will be owned and managed by the Service as part of the National Wildlife Refuge System.
With these funds we were able to restore, protect, and enhance 24,611 acres of native and restored grassland in Minnesota. Much of this work was done through the DNR Roving Crews, a new program funded with these dollars that has significantly increased the state's habitat management capabilities. In addition to these enhancement activities we were able to enroll acres in the DNR's Native Prairie Bank Easement Program as well as acquire acres for the SNA program.
This program will increase populations of a variety of game and non-game wildlife species by protecting and enhancing forest habitats on which wildlife depends. This program of on-the-ground forest conservation projects will amplify the wildlife value of forest communities on DNR administered forestlands. Our forest enhancement will treat 4,472 ac. These activities are not conducted as part of the DNR's commercial timber operations. Additionally, our program will acquire 404 acres of forestland that contributes to habitat complexes and other high priorities.
Accomplishments of the appropriation include: i) protection of 3.9 miles of shoreline; ii) modification of 4 lake outlet structures to allow fish passage, benefiting 1,264 acres; iii) enhanced river and stream functions at 15 sites, benefiting over 17 river miles; and iv) enhance 4.5 miles of shoreline habitat on publicly-owned lakeshore.
This project will accelerate production of County Geologic Atlases (part A). This is a set of geologic maps and associated databases for a county that facilitate informed management of natural resources, especially water and minerals.
The MAAMCC created a pilot project that teaches students about the lives and times of noteworthy African American Minnesotans and their contributions to Minnesota and the Nation. The traveling exhibit, called Trunk-It (a museum without walls), presents an actor/docent with a trunk of history props, activities to perform and a story to tell of a Minnesota African American pioneer to elementary age students. Eight pioneers have been identified through research and have been chosen to be portrayed in a Trunk-It exhibit. Currently, two trunks have been completed: Emily O.
The AgBMP Loan Program provides needed funding for local implementation of clean water practices at an extremely low cost, is unique in its structure, and is not duplicated by any other source of funding. The AgBMP loan program provides 3% loans through local lenders to farmers, rural landowners, and agriculture supply businesses. Funds are used for proven practices that prevent non-point source water pollution or solve existing water quality problems.
A series of eight oral histories were collected from landscape architects. These interviews document the story of landscape design in 20th Century Minnesota. The participants were asked to reflect on what personal experiences influenced their professions and how Minnesota spaces have been enhanced by landscape architecture over the past century.
This project will be a complete TMDL report for the Biota and Bacteria (E. coli) impairments for the Ann River Watershed. The water bodies associated with these impairments will then be removed from the MPCA’s impaired waters list, and implementation activities to restore the water bodies will begin.
A direct appropriation of $400,000 in FY 2010 and $600,000 in FY2011 for the Anoka Conservation District (ACD) is for the metropolitan landscape restoration program for water quality and improvement projects in the seven-county metro area.
To make the Cathedral of St. Paul archives more accessible to the public, the Cathedral heritage foundation undertook a two-step project to sort, organize, inventory and file their collections. The first step involved general cleaning and the reorganization of materials. All materials were re-housed in archival storage units. Inventory information was entered into PastPerfect. The second step of the project focused on the recruitment and training of volunteers folow up on and continue the new preservation/storage best practices.
The RCHS determined to gain intellectual and physical control over their historical collections documenting Ramsey County.
PastPerfect software was purchased and installed, and training was received by staff. An inventory technician was hired and trained to apply the software using best practice inventory methods. 2,306 artifacts (9% of the total inventory) were recorded and catalogued. The daily information was backed up and stored offsite.
Phase two of a project to improve intellectual control of the stored 3-D collections by contiuing the partial-inventory of artifacts. During this phase of the inventory 2,155 objects were recorded making the total number recorded so far 4,461 or approximately 18% of the objects to be inventoried. Information garnered during the process will aid the determination of the amount of storage needed and the supplies necessary for proper storage and preservation. Once complete, the inventory will aid exhibit planning and creation.
To complete the final three essays for the collection - A Matter of Translation - prepare the finished manuscript for publication, research appropriate publishers, and begin submitting the book for publication.
The project will explore and create mono prints with a focus on the Tomalist movement for inspiration and direction. Techniques learned here will inform new paintings toward the goal of future exhibitions.
Work with an established writer who will help nurture her voice, strengthen her manuscript, and educate her on the business of writing. In addition she will host a reading and discussion with other writers.
To create her own compositions based on traditional motifs, and to develop broader interpretation of traditional designs to capture concepts of love and family using the “ikat" technique in Lao waving.